‘Untitled’, 1963, by Gillian Ayres

Britain's abstract painters deserve more attention than America's abstract expressionists

21 November 2015 9:00 am

Fifteen million pounds and a hefty slice of architectural vision have transformed the Whitworth from a fusty Victorian art temple…


Repetitive but compelling: Giacometti at the National Portrait Gallery reviewed

24 October 2015 9:00 am

One day in 1938 Alberto Giacometti saw a marvellous sight on his bedroom ceiling. It was ‘a thread like a…

A novel in paint: Goya's 'The Family of the Infante Don Luís' (1783-4)

Why did Goya’s sitters put up with his brutal honesty?

10 October 2015 9:00 am

Sometimes, contrary to a widespread suspicion, critics do get it right. On 17 August, 1798 an anonymous contributor to the…

‘Dead Rabbit’, 1962, by Dennis Creffield

On the frontiers of figuration, abstraction and total immateriality

3 October 2015 8:00 am

The artist, according to Walter Sickert, ‘is he who can take a piece of flint and wring out of it…

‘Night in Marrakesh’, 1968, by Brion Gysin

Cut-ups, hallucinations and Hermann Goering: the extraordinary life of Brion Gysin

26 September 2015 8:00 am

Among my more bohemian friends in 1980s London, Brion Gysin was a name spoken with a certain awe. He was…

Francis Bacon in Paris in 1984

Bacon on the side: the great painter’s drinking partner tells all

5 September 2015 9:00 am

When Michael Peppiatt met Francis Bacon in 1963 to interview him for a student magazine, the artist was already well-established,…

Palpable painting: ‘Scandia’, 1971, Bernat Klein

Sensory overload: Paul Neagu, Anthony Caro and Bernat Klein reviewed

5 September 2015 9:00 am

‘The eye is fatigued, perverted, shallow, its culture is degenerate, degraded and obsolete.’ Welcome to the Palpable Art Manifesto of…


Andrew Marr’s diary: The summer of Corbyn — and other things we didn’t see coming

22 August 2015 9:00 am

This is the Corbyn summer. From the perspective of a short holiday, my overwhelming feeling is one of despair at…

‘Marie-Anne Françoise Liotard with a Doll’, c.1744, by Jean-Etienne Liotard

The forgotten Swiss portraitist and his extraordinary pastels: Jean-Etienne Liotard at the Scottish National Gallery reviewed

8 August 2015 9:00 am

This is not the biggest exhibition at Edinburgh and it will not be the best attended but it may be…

‘The Wilderness, Hartwell House, Buckinghamshire’ by Balthasar Nebot

Why is the garden absent in English painting?

8 August 2015 9:00 am

One of the default settings of garden journalists is the adjective ‘painterly’ — applied to careful colour harmonies within a…

Carsten Höller's 'Flying Mushrooms' (2015). Photo: Linda Nylind

The artist who turned the Hayward Gallery into Disney World

20 June 2015 9:00 am

Gianlorenzo Bernini stressed the difficulty of making a sculpture of a person out of a white material such as marble.…

RA Summer Exhibition 2015. Photo: John Bodkin / Royal Academy of Arts

Royal Academy’s Summer Exhibition reviewed: a jumble sale with pizzazz

6 June 2015 9:00 am

The Royal Academy Summer Exhibition has very little in common with the Venice Biennale. However they do share one characteristic.…

‘Claros’ (woodcut), 2015, by Gillian Ayres

Modernism lite? Modigliani at the Estorick Collection reviewed

9 May 2015 9:00 am

The British painter Nina Hamnett recalled that Modigliani had a very large, very untidy studio. Dangling from the end of…

‘Wrestlers’, 1914, by Henri Gaudier-Brzeska

Henri Gaudier-Brzeska at Kettle's Yard reviewed: he's got rhythm

2 May 2015 9:00 am

One evening before the first world war, Henri Gaudier-Brzeska, fired by drink, tried out such then-fashionable dances as the cakewalk…

Forces of nature: Maggi Hambling with ‘Amy Winehouse’, a painting exhibited at her Walls of Water show last year

‘This stuff goes on being alive’: Maggi Hambling on the power of painting

18 April 2015 9:00 am

Maggi Hambling on Rembrandt, Twombly and the power of art

‘Propeller (Air Pavilion)’, 1937

Better than Robert? Sonia Delaunay at Tate Modern reviewed

18 April 2015 9:00 am

In 1978, shortly before she died, the artist Sonia Delaunay was asked in an interview whether she considered herself a…

‘The Giantess’ by Leonora Carrington, currently on show at Tate Liverpool

A mad menage — and menagerie - in Mexico: the life of Leonora Carrington in fictional form

28 March 2015 9:00 am

Leonora Carrington is one of those jack-in-the-boxes who languish forgotten in the cultural toy cupboard and then pop up every…

‘Arthur Wellesley, 1st Duke of Wellington’, 1829, by Sir Thomas Lawrence

Wellington's PR machine

28 March 2015 9:00 am

The history of portraiture is festooned with images of sitters overwhelmed by dress, setting and the accoutrements of worldly success.…

Richard Diebenkorn 'Berkeley #5' (1953) . Copyright:
The Richard Diebenkorn Foundation

Richard Diebenkorn at the Royal Academy reviewed: among the best visual evocations of LA there are

21 March 2015 9:00 am

It is true that, like wine, certain artists don’t travel. Richard Diebenkorn, subject of the spring exhibition in the Royal…

Left: ‘Dream of a good witch’, c.1819–23, by Goya Right: ‘Bajan niñendo (They descend quarrelling)’, c.1819–23, by Goya

Flying witches, mad old men, cannibals: what was going on in Goya’s head?

14 March 2015 9:00 am

It is not impossible to create good art that makes a political point, just highly unusual. Goya’s ‘Third of May’…

Camille Pissarro
The Avenue, Sydenham, 1871.
© The National Gallery, London

Inventing Impressionism at the National Gallery reviewed: a mixed bag of sometimes magnificent paintings

7 March 2015 9:00 am

When it was suggested that a huge exhibition of Impressionist paintings should be held in London, Claude Monet had his…

‘Two Figures in a Room’, 1959, by Francis Bacon

The dos and don’ts of the Russian art scene

28 February 2015 9:00 am

They’re doing fantastic deals on five-star hotels in St Petersburg the weekend the Francis Bacon exhibition opens at the Hermitage.…

‘Group with Parasols’, c.1904, by John Singer Sargent

Sargent, National Portrait Gallery, review: he was so good he should have been better

21 February 2015 9:00 am

The artist Malcolm Morley once fantasised about a magazine that would be devoted to the practice of painting just as…

Van Gogh's 'The Diggers' (1889). Credit: Collectie Stedelijk

Where Van Gogh learned to paint

14 February 2015 9:00 am

William Cook reports from the sooty netherworld that made an artist of Vincent Van Gogh

The Widow (2013) by Marlene Dumas. Photo: Peter Cox/Tate Modern.

Marlene Dumas at Tate Modern reviewed: 'remarkable'

7 February 2015 9:00 am

‘Whoever wishes to devote himself to painting,’ Henri Matisse once advised, ‘should begin by cutting out his own tongue.’ Marlene…